Music Matters XXXXIV – The whiteness of Dutch electronic dance music

Diagram with details of Electronic Dance Music SeriesWe are excited to announce the second event of the Electronic Dance Music Matters series, taking place on March 21st from 17:00-18:30 in the Heymanszaal. Our guest speaker is Dr Timo Koren from the University of Amsterdam, whose talk is entitled “The Whiteness of Dutch Electronic Dance Music: How Space Shapes Music Genres’ Social Formations”.

Please see below for the abstract and further details:

ABSTRACT: Music genres articulate relationships to social groups. As these genres travel, disperse and change form, the social formations of the collective music worlds they develop change. This lecture investigates genre trajectories by highlighting the work of Amsterdam-based nightclub promoters in the cultural production of club nights through genre-based orientations, conventions and ideals. The first part explores how promoters attune their curatorial practices to urban processes through genre-based commercial and cultural imperatives. The spatial vocabulary through which they understand their practices produces localised understandings of global music genres tied to the specific affective atmopsheres of neighbourhoods and dancefloors and tied to specific conceptions of clubbing audiences. The second part delves deeper into the social formations around music genres through a case study of the whiteness of Dutch electronic dance music. It seeks to understand not only how the production and consumption of electronic dance music has ‘become’ white in the Dutch capital, but also how this whiteness is sustained, how whiteness produces localised Others by connecting place, genre, and race, and how whiteness limits economic and creative opportunities for promoters of colour. The lecture is based on qualitative interviews with 36 Amsterdam-based promoters, short-term ethnographies at nightclubs and industry events and archival research.

BIO: Timo Koren is Assistant Professor in Cultural Economy in the Department of Cultural Studies at the University of Amsterdam. Before joining this department in September 2023, he worked as a lecturer in the Department of Arts and Culture Studies at the Erasmus University Rotterdam. He holds a PhD in Geography from the University of Southampton (UK). Connecting cultural industries research to urban studies, his research focuses on the night-time economy, in particular cultural production, social inequalities, music genres, and regulation.

We look forward to seeing you there!

Music Matters XXXXIII – Thickening Something: Convergent Music, Affect, and Sociability on the Dancefloor

Diagram with details of Electronic Dance Music SeriesWe are excited to announce the next edition of Music Matters, entitled “Thickening Something: Convergent Music, Affect, and Sociability on the Dancefloor”, presented by Dr Luis Manuel Garcia-Mispireta from the University of Birmingham. The talk will take place on February 20th in the Heymanszaal, from 17:00-18:30.

This talk is the first in a semester-long series, entitled “EDM Matters”, with a particular focus on Electronic Dance Music. We’re delighted – and privileged – to have Dr Garcia-Mispireta as our first speaker, in support of his new book Together, Somehow available now through Duke University Press.

Please see below for the abstract and further details:

ABSTRACT: How is it that “the one rush of hearts”—that swirl of feelings and music and sweaty bodies on a crowded dancefloor—can thicken into something that feels like communion and community? In this talk, I turn to the nexus of sound, feeling, and togetherness to investigate how collective listening and dancing can give rise to a sense of inchoate sociality— that is, something like a “we” coalescing under the surface of shared musical experience. While the idea that “music brings people together” is a common trope that is especially pervasive in electronic dance music scenes (EDM), accounts vary as to how music exerts such socially binding force. In club cultures, partygoers often use the term “vibe” to describe how they understand music to work in these contexts, bringing dancers into a sort of *synchronicity of feeling*. By understanding “vibe” as a subcultural conceptualization of affect, I explore how music-driven emotional convergence intersects with scholarship on musical entrainment, emotional contagion, ritual practices, and resonance.

BIO:

Luis Manuel Garcia-Mispireta is an Associate Professor in Ethnomusicology and Popular Music Studies at the University of Birmingham (UK), with previous appointments at the Max Planck Institute for Human Development (Berlin, DE) and the University of Groningen (NL). His research focuses on urban electronic dance music scenes, with a particular focus on affect, intimacy, stranger-sociability, embodiment, sexuality, creative industries and musical migration. He is currently conducting research on “grassroots” activism and queer nightlife collectives in Berlin; he has also a new monograph out, entitled Together Somehow: Music, Affect, and Intimacy on the Dancefloor (Duke University Press, 2023).

We look forward to seeing you there!

Poster for the Music Matters talk on Tuesday November 14th. Features artist names and a swirl on a yellow background

Music Matters XXXXII: Tamil Elegance: Recentering Tamil Heritage in the Diaspora

Poster for the Music Matters talk on Tuesday November 14th. Features artist names and a swirl on a yellow background

We are excited to announce the next edition of Music Matters, entitled “TAMIL ELEGANCE: RE-CENTERING TAMIL HERITAGE IN THE DIASPORA”, which will take place on 14 Nov 2023, from 4pm-530pm, in the A8 Academy Building.

Abstract: The Sri Lankan civil war (1983 – 2009) resulted in the ethnic cleansing of Tamil people as well as one of the mass refugee crisis in the twentieth century. The ethnoreligious divide between the Sinhala Buddhist majority and the Tamil Hindu minority continues to this day through the erasure of Tamil heritage and identity in the state via the destruction of Tamil memorial sites in Tamil Eelam (North Sri Lanka). Nearly twenty years since M.I.A. (Mathangi Arulpragasam) carved her own space internationally with her infusion of Tamil folk music and political messaging on Sri Lanka, there is a burgeoning music scene from the diasporic Eelam Tamil community in which themes of displacement, dispossession and exile are at the forefront. Canadian artists SVPD and Yanchan pay homage to their homeland while also forging a sense of communal belonging by performing their diasporic identity through their music. This panel, in conversation with the aforementioned artists explores how Tamil Eelam heritage is mediated sonically to uncover how the remembered past affects the present. Where memorial sites are threatened or erased, we can look for alternative routes of memorialization through sonic reconstructions of home. SVDP and Yanchan’s music is a necessary thread to sustain relationships across diasporic Eelam Tamil communities located across the globe.

Speakers:

SVDP is a Tamil Canadian rapper and director from Toronto, Ontario. SVDP released his debut album ‘Saviours’ in 2016 and is part of the Toronto based artist collective, sideways with Coleman Hell, La+ch, Mad Dog Jones, and Michah. His artistry is influenced by Tamil and classical South Indian music. Critics have dubbed him the Karnatic rapper.

Yanchan Rajmohan (Yanchan) is a Tamil Canadian artist, producer, and mrithangamist (South Indian hand drummer) from Scarborough, Toronto. Known for incorporating South Indian elements into his production work, Rajmohan creates Karnatic hip-hop fusion tracks. Most recently, Yanchan featured on the rapper Russ’ track ‘The Wind’ on the album ‘Santiago’.

Dr. Arththi Sathananthar is Lecturer at the Faculty of Arts at the University of Groningen and Visiting Scholar at the School of English, University of Leeds. Her research is positioned at the intersection of life writing and post/decolonial studies with a focus on diaspora, transculturalism, and home. Her research highlights narrative lives of the marginalized and dispossessed by creating an archive of diasporic heritage and identity.

We look forward to seeing you there!

Music Matters XXXXI: Recomposed with Kyle Devine


PLEASE NOTE AMENDED TIME AND ROOM

Everywhere you look, music is changing—overhauling itself in response to climate crisis. There are records made of plants and stereos that run on sunshine. There are sector-specific carbon calculators and literacy programs, organizations that size up (and draw down) the environmental impact of music on all levels. There are declarations of emergency, anthems for the anthropocene, playlists for the planet. Top to bottom, we are witnessing a climate-oriented recomposition of what music is and how it comes to be.

Music’s recomposition probably seems like a good thing. It is. And it isn’t. In this talk, Kyle Devine will highlight what is good about the good things, drawing on years of work with the people devoted to change. He will also explain what is not so good about the not-so-good things, showing how music gets stuck in ruts that turn even the best intentions into the problems they hope to solve. And he will suggests what could change in order to authorize the most daring hopes and audacious plans for rescuing the future of music—along with everything else.

This event takes place in the Harmony Building (1315.0049) on Monday 23rd October from 18:00 – 19:30.

Music Matters XXXX: Wild Music with Maria Sonevytsky

Music Matters kicks off the 2023-2024 with an exciting talk from Bard College’s Maria Sonevytsky, who will discuss her award winning book Wild MusicWild Music tracks vernacular Ukrainian discourses of “wildness” as they manifested in popular music during a volatile decade of Ukrainian political history bracketed by two revolutions. From the Eurovision Song Contest to reality TV, from Indigenous radio to the revolution stage, Sonevytsky assesses how these practices exhibit and re-imagine Ukrainian tradition and culture. As the rise of global populism forces us to confront the category of state sovereignty anew, Sonevytsky proposes innovative paradigms for thinking through the creative practices that constitute sovereignty, citizenship, and nationalism.

This event takes place in the Harmony Building (1315.0031) on Monday 11th September from 16:00-18:00.

Music Matters XXXVIII: “On Being Touched by Boeremusiek” with Willemien Froneman

The Music Matters at University of Groningen Performance and Lecture Series invites you to “On Being Touched by Boeremusiek: Listening as a Haptic Event” with dr. Willemien Froneman (Stellenbosch University, South Africa). This 38th talk of the series takes place at the room 1312.0018 in the RUG Harmony Building from 18:00 until 19:30 on Tuesday May 2nd, 2023. For further information on this talk, see the abstract below.

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Music Matters XXXVII: “Saying It Differently” with Philip Ciantar

The Music Matters at University of Groningen Performance and Lecture Series invites you to “Saying It Differently: Political Activism and Parody Songs in Malta” with Philip Ciantar (Department of Music Studies, School of Performing Arts, University of Malta). This 37th talk of the series takes place at the Heymanszaal in the RUG Academy Building from 17:00 until 18:30 on Wednesday April 26th, 2023. For further information on this talk, see the abstract below.

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Music Matters XXXVI: ESNS Diversity and Inclusion Panel

The Music Matters at University of Groningen Performance and Lecture Series invites you to its 36th event, the ESNS Diversity and Inclusion Panel with Lisa Schoemaker (Eurosonic Noorderslag), Ilona Deuring (Eurosonic Noorderslag), Juan Carlos Méndez Álvarez (Utrecht University), Dan Pădure (University of Groningen). This discussion takes place at the RUG Harmony Building, room 1312.0012 from 17:00 until 18:30 on March 21st, 2023.

Music Matters XXXV: “We Are All Improvisers” with Raymond Macdonald

The Music Matters at University of Groningen Performance and Lecture Series is proud to present Dr. Raymond Macdonald (University of Edinburgh), who will give the 35th Music Matters talk entitled “We Are All Improvisers: The Psychological Foundations of Musicality.” This talk takes place at the Heymanszaal in the RUG Academy Building from 17:00 until 18:30 on December 8th, 2022.

This presentation discusses the importance of improvisation as a defining feature of social and creative interactions. It outlines the relationship of community music, music therapy and music education by focusing upon what it means to be musical and how music plays a crucial role in defining who we are as individuals and socially. The role of music in health and wellbeing will be emphasized as will the topic of how improvisation can be utilized to help explore creativity and collaborations in multiple contexts from virtuoso performances to children’s first experiences of music. A new definition of virtuosity will be proposed which includes a broader range of musical skills than is conventionally accepted. The lecture will include some short practical demonstrations to highlight the key points.